1 00:00:03,680 --> 00:00:04,880 Who knows about it? 2 00:00:05,600 --> 00:00:08,520 Glauco, who came up with the idea, Tatti Barletta and now you. 3 00:00:09,240 --> 00:00:11,720 René is on thin ice. He goes against 4 00:00:11,840 --> 00:00:15,960 two of the greatest powers on earth: the mafia and the platform. 5 00:00:16,120 --> 00:00:18,240 Why should we get involved? 6 00:00:18,400 --> 00:00:22,200 I don't want to overdramatize anything, but we will all die. 7 00:00:22,480 --> 00:00:24,680 Before we die, we have to do something good. 8 00:00:25,560 --> 00:00:27,760 He says: "I don't want anything overdramatize!” Idiot! 9 00:00:31,200 --> 00:00:33,040 -What are you staring at? -What do you want? 10 00:00:33,480 --> 00:00:36,200 Okay, I'll put it this way: We write it 11 00:00:36,800 --> 00:00:39,560 and if it works, we are the executive producers. 12 00:00:40,000 --> 00:00:41,640 But does it end as we fear... 13 00:00:41,720 --> 00:00:43,640 Then we don't know you, René. 14 00:00:43,800 --> 00:00:44,760 Exactly. 15 00:00:45,840 --> 00:00:48,160 I'm in as long as you write it right away. 16 00:00:48,240 --> 00:00:49,400 Fast. Go. 17 00:00:50,640 --> 00:00:56,080 So Judas is so in love that... 18 00:00:56,840 --> 00:00:58,160 You have to trust us, René. 19 00:00:58,240 --> 00:00:59,360 Let's do it. 20 00:01:01,200 --> 00:01:02,640 -So much in love? -That at night he... 21 00:01:02,840 --> 00:01:06,280 -I don't like the night. -But he doesn't sleep in the morning. 22 00:01:06,840 --> 00:01:09,560 You shouldn't sleep in the morning. He didn't sleep at night either. 23 00:01:09,800 --> 00:01:15,280 Eyes of the Heart Eyes of the Heart 24 00:01:15,400 --> 00:01:16,400 Boris! 25 00:01:16,560 --> 00:01:18,000 RENÉ THE DIRECTOR 26 00:01:18,160 --> 00:01:20,760 I'm singing a new story With emancipated characters 27 00:01:20,880 --> 00:01:22,880 ACTRESS/PRODUCER ACTOR/PRODUCER 28 00:01:23,960 --> 00:01:25,840 ALFREDO - DIRECTOR OF THE SECOND UNIT 29 00:01:26,360 --> 00:01:27,440 DUCCIO - CAMERAMAN 30 00:01:27,520 --> 00:01:28,880 As the algorithm dictates 31 00:01:29,040 --> 00:01:30,320 2. ASSISTANT ASSISTANT DIRECTOR 32 00:01:30,400 --> 00:01:31,800 PLATFORM MANAGER ASSISTANT 33 00:01:31,880 --> 00:01:33,440 Parallel actions 34 00:01:33,520 --> 00:01:34,840 THE AUTHORS 35 00:01:34,920 --> 00:01:36,600 And complicated scenes 36 00:01:37,640 --> 00:01:39,040 EXECUTIVE PRODUCER CO-PRODUCER 37 00:01:39,240 --> 00:01:42,400 We don't shoot them We tell them 38 00:01:44,040 --> 00:01:46,600 BIASCICA - HEADLIGHTER LORENZO - OPERATOR 39 00:01:46,680 --> 00:01:49,840 An exciting TV series That never lets you go 40 00:01:50,120 --> 00:01:56,680 Amidst supermen and teenagers You're glued to the screen 41 00:02:05,000 --> 00:02:08,920 Got it, Glauco. You've already heard from me the tracking shot tells the children. 42 00:02:09,040 --> 00:02:10,680 Understood! Yes. 43 00:02:11,520 --> 00:02:12,920 -Oh, Alfredo! -Hey! 44 00:02:13,600 --> 00:02:14,800 -Welcome back! -René… 45 00:02:14,880 --> 00:02:16,080 -Thanks! -So everything is good? 46 00:02:16,240 --> 00:02:18,640 You tell me. Personal use. 47 00:02:19,200 --> 00:02:20,680 The prosecutor was pretty nice too. 48 00:02:20,880 --> 00:02:23,520 I believe you. Listen, Alfredo, you're going to the first unit today. 49 00:02:23,680 --> 00:02:25,160 I'll take over the second unit. 50 00:02:25,320 --> 00:02:28,520 Are you crazy? First unit? So I'm shooting the big scene? 51 00:02:28,680 --> 00:02:31,520 -What big scene? -The Crucifixion. I can't do that. 52 00:02:31,680 --> 00:02:32,800 The scene is today? 53 00:02:32,880 --> 00:02:33,760 Yes. 54 00:02:33,840 --> 00:02:35,920 What's up? You never have filmed a crucifixion? 55 00:02:36,040 --> 00:02:38,160 Always the same: Jesus' suffering face from below 56 00:02:38,320 --> 00:02:39,720 with the sun directly above. 57 00:02:39,880 --> 00:02:41,560 Wide angle to show Jesus' wounds. 58 00:02:41,640 --> 00:02:44,320 An overview of his visions, as desired by the platform. 59 00:02:44,400 --> 00:02:45,760 That was it. Complete. 60 00:02:46,520 --> 00:02:48,080 Why are you going to the second unit, René? 61 00:02:48,200 --> 00:02:49,120 Are you depressed? 62 00:02:49,520 --> 00:02:52,320 No, I'm not depressed, but I want a little more 63 00:02:52,440 --> 00:02:55,120 Dive into the “teen scenes”. Go, go, go. 64 00:02:59,520 --> 00:03:01,560 THE LIFE OF JESUS 65 00:03:05,400 --> 00:03:06,720 How is your father? 66 00:03:07,280 --> 00:03:10,040 How is he? Where is he? He has disappeared. 67 00:03:10,280 --> 00:03:11,560 As if swallowed by the earth. 68 00:03:11,880 --> 00:03:14,480 He doesn't respond to messages. He doesn't call back. 69 00:03:14,960 --> 00:03:16,760 Imagine: Everything is ready in Viterbo. 70 00:03:17,000 --> 00:03:19,800 The crematorium is ready and waits for the man 71 00:03:19,880 --> 00:03:21,440 but I don't know where he is. 72 00:03:22,360 --> 00:03:25,320 When is your flight to Houston? 73 00:03:25,600 --> 00:03:27,360 -At 4:30 p.m. -Okay, yes. 74 00:03:27,440 --> 00:03:30,600 This is important. It's the annual meeting 75 00:03:31,080 --> 00:03:34,720 the Society of Gun Enthusiasts. In the desert. This will be fun. 76 00:03:35,120 --> 00:03:38,080 A fantastic three-day event. All participants are armed. 77 00:03:38,560 --> 00:03:41,240 Even the children. Everyone. 78 00:03:42,120 --> 00:03:45,080 Imagine: In preparation, the organizers have 79 00:03:45,240 --> 00:03:46,400 a dozen coffins pre-ordered. 80 00:03:46,880 --> 00:03:50,400 Last year was disappointing. Only two victims. 81 00:03:51,000 --> 00:03:55,080 I don't want to miss the flight, That's what I beg of you, Arianna. 82 00:03:55,200 --> 00:04:00,600 I know how things work on this set. Don't make me mad, okay? 83 00:04:00,760 --> 00:04:05,160 No fear. I make sure that you finish before the break. 84 00:04:05,400 --> 00:04:07,520 It would be very good for the Americans if they have weapons 85 00:04:07,680 --> 00:04:11,720 would introduce in schools, then they learn it at the right age. 86 00:04:12,040 --> 00:04:14,520 My goodness, At 30 you might learn it too. 87 00:04:15,240 --> 00:04:18,040 As far as I'm concerned, let them shoot. You shoot, you hit something... 88 00:04:18,360 --> 00:04:21,960 But children, so young, they are like sponges. 89 00:04:22,120 --> 00:04:24,480 They absorb everything. They learn everything. 90 00:04:24,680 --> 00:04:29,120 You should see with what ease and nonchalance these dwarves, 91 00:04:29,280 --> 00:04:32,960 five or seven years old… gunmen We called them natives. 92 00:04:33,560 --> 00:04:37,520 With what peace they reload. Bamm, bamm, bamm, bamm. They shoot. 93 00:04:37,880 --> 00:04:42,520 But the innocence of it. The joy of execution. 94 00:04:42,920 --> 00:04:48,760 I think we should all learn Seeing weapons through the eyes of children. 95 00:04:49,520 --> 00:04:50,920 You have a child, right? 96 00:04:52,160 --> 00:04:53,080 Yes. 97 00:04:53,400 --> 00:04:57,800 It's not allowed on set. Do we take her to the production office? 98 00:04:58,320 --> 00:05:02,040 You like her, don't you? I see the way you look at her. 99 00:05:02,280 --> 00:05:06,040 I understand that. But today she stays with me. 100 00:05:07,080 --> 00:05:09,040 Ready for the mask? 101 00:05:13,920 --> 00:05:17,240 Then you set up the second camera on Judas. 102 00:05:17,840 --> 00:05:20,320 -You mean Jesus? -No, on Judas. 103 00:05:20,680 --> 00:05:22,280 Beautiful. 104 00:05:24,240 --> 00:05:28,920 How pretty you are. Let's shoot. Recording! 105 00:05:29,160 --> 00:05:30,000 Camera is rolling! 106 00:05:30,120 --> 00:05:32,320 -128-1, flap, the first. -The boy is great. 107 00:05:32,480 --> 00:05:35,120 Let's shoot, shall we? Go! 108 00:05:36,480 --> 00:05:38,680 And action! 109 00:05:46,720 --> 00:05:49,400 I'm leaving the group, because you are crazy. 110 00:05:55,960 --> 00:05:58,640 Cut! Fantastic! 111 00:06:12,080 --> 00:06:15,120 Sorry, I just have to do something quickly for the big scene. 112 00:06:24,200 --> 00:06:26,240 I found him in the warehouse. Who does he belong to? 113 00:06:26,600 --> 00:06:29,400 Hey, you're the son of... No, you're not. 114 00:06:29,680 --> 00:06:31,600 No, get out of there! Children away from the set! 115 00:06:31,760 --> 00:06:33,440 But where to take him? I'm working, Lopez! 116 00:06:33,520 --> 00:06:37,120 Take him to Herod's dressing room and bring him coffee. On set with you. 117 00:06:37,360 --> 00:06:40,360 Okay, let's go. But you stay close, okay? 118 00:06:40,720 --> 00:06:44,280 I thought this series was supposed to tell the true story of Jesus. 119 00:06:45,080 --> 00:06:47,800 So why does he die at 50? 120 00:06:47,920 --> 00:06:53,880 -I asked myself that too. -Jesus died at 137 in Alabama. 121 00:06:54,600 --> 00:06:57,800 They only ever talk about the early ones years before he shaved his head. 122 00:06:59,320 --> 00:07:03,360 Did you know that he had the loaves and fishes? just multiplied it with his thoughts? 123 00:07:04,040 --> 00:07:05,720 Nico! Lopez. 124 00:07:05,880 --> 00:07:06,880 -Yes? -Nico is gone! 125 00:07:06,960 --> 00:07:09,720 -Have you seen him? -Nico? The one we kicked out? 126 00:07:09,920 --> 00:07:11,920 No, my son! He was in the camp! 127 00:07:12,240 --> 00:07:14,520 Wait. We found a child and a wallet, 128 00:07:14,720 --> 00:07:16,680 which is in my office. And a child... 129 00:07:16,880 --> 00:07:17,760 Where is he? 130 00:07:17,920 --> 00:07:21,280 Over there. Don't care about your wallet? 131 00:07:21,600 --> 00:07:22,520 Nico. 132 00:07:23,800 --> 00:07:26,360 Do you know whose child he is? 133 00:07:26,800 --> 00:07:27,840 Are you okay? 134 00:07:28,080 --> 00:07:31,640 Arianna, we're setting up a set over there. We need you... 135 00:07:32,120 --> 00:07:33,520 -Yes. -Who is that? 136 00:07:33,840 --> 00:07:34,920 My son. 137 00:07:35,120 --> 00:07:38,600 What the fuck, Arianna? Now are you bringing your child to set? 138 00:07:38,680 --> 00:07:40,240 Be careful, Alfredo. You of all people... 139 00:07:40,480 --> 00:07:42,240 The babysitter is sick. What should I do? 140 00:07:42,400 --> 00:07:44,520 Throw him in a dumpster? 141 00:07:45,320 --> 00:07:47,360 No, but maybe in front of an emergency room, 142 00:07:47,520 --> 00:07:49,920 where maybe someone is would have taken care of him. 143 00:07:50,000 --> 00:07:51,320 I have to work, Arianna. 144 00:07:51,480 --> 00:07:53,840 -Why the emergency room, mom? -Not that important. 145 00:07:55,680 --> 00:07:59,200 Now let's shoot the scene, where the children go, okay? 146 00:07:59,360 --> 00:08:02,600 But then Judas comes back. He is alone and sad. 147 00:08:02,800 --> 00:08:06,480 He sits down at the table. To where Jesus is now sitting. 148 00:08:06,920 --> 00:08:08,840 And he starts to cry. 149 00:08:10,240 --> 00:08:13,000 Then he throws overturned the table in a fit of rage. 150 00:08:13,240 --> 00:08:14,560 You completely knock him over. 151 00:08:14,960 --> 00:08:16,920 You clench your fists and scream in anger. 152 00:08:17,800 --> 00:08:21,000 -That's not on the plan. -Just a small difference at the end 153 00:08:21,240 --> 00:08:23,600 the scene. I can use that. Come on, let's try it out. 154 00:08:23,760 --> 00:08:25,480 I'll watch from here, okay? 155 00:08:25,720 --> 00:08:28,800 Go! Ready? Action! 156 00:08:53,160 --> 00:08:55,960 What was that? Let out your anger! 157 00:08:56,120 --> 00:08:57,800 That's all you can do? 158 00:08:58,120 --> 00:09:00,240 -But. -I know you can do more. 159 00:09:01,200 --> 00:09:03,920 No, don't start crying now. We don't need that! 160 00:09:04,240 --> 00:09:05,440 Is he yelling at Andrea? 161 00:09:05,520 --> 00:09:07,320 Okay, the rehearsal was shit, now we're shooting. 162 00:09:07,560 --> 00:09:09,840 Let's hope things get better now, shall we? 163 00:09:10,280 --> 00:09:11,840 Maybe the role doesn't suit him. 164 00:09:12,000 --> 00:09:14,920 But! He's perfect for the role! He's just lazy! 165 00:09:15,000 --> 00:09:16,480 Come on, Andrea. Recording! 166 00:09:18,080 --> 00:09:19,000 Camera is rolling! 167 00:09:20,240 --> 00:09:23,400 Come on, let's shoot. Go! 168 00:09:23,640 --> 00:09:25,960 -130-1, flap, the first. -Good. 169 00:09:26,160 --> 00:09:27,400 And action! 170 00:09:49,720 --> 00:09:54,240 Cut! Very good! I said it! Is he your son? Secure? 171 00:09:54,800 --> 00:09:57,920 Just fun. Go, go, go! 172 00:10:04,240 --> 00:10:06,520 -Did you drive Corinna to the set? -Yes, Stanis. 173 00:10:06,680 --> 00:10:08,960 -Did she talk about me? -No. 174 00:10:11,840 --> 00:10:14,600 She hasn't said a word today. I think she's in a bad mood. 175 00:10:14,840 --> 00:10:17,280 Who doesn't have that, right? One more thing… 176 00:10:17,600 --> 00:10:20,200 Hitting on your best friend doesn't work. 177 00:10:20,320 --> 00:10:21,320 Never try that again. 178 00:10:21,520 --> 00:10:23,160 Does your daughter know about our meeting? 179 00:10:23,520 --> 00:10:24,560 No. 180 00:10:26,040 --> 00:10:27,840 -We need to talk. -I have to move on. 181 00:10:28,000 --> 00:10:29,640 Who cares, Fabio? 182 00:10:29,800 --> 00:10:31,320 Subtract that, add the tax, 183 00:10:31,400 --> 00:10:33,400 then 16,000 euros are missing. 184 00:10:33,680 --> 00:10:35,560 Shouldn't you spin? 185 00:10:35,800 --> 00:10:37,400 I just cry. My son will be killed! 186 00:10:37,520 --> 00:10:39,720 I cry throughout the entire scene! I don't have any text. 187 00:10:39,800 --> 00:10:41,920 Twelve thousand for materials and that's good. 188 00:10:42,040 --> 00:10:43,320 -Yes, yes. -What is that? 189 00:10:43,600 --> 00:10:45,120 -Well, they are. -Are they? 190 00:10:45,440 --> 00:10:47,720 That's them. Yes? She is coming! 191 00:10:48,040 --> 00:10:49,200 Have you been called? 192 00:10:49,760 --> 00:10:50,800 Don't think so. What is that? 193 00:10:51,080 --> 00:10:51,960 -These are… -These are? 194 00:10:52,120 --> 00:10:55,440 Hey, you're pretty good got into math, huh? 195 00:10:55,560 --> 00:10:57,840 With all the acting I learned it quickly. So? 196 00:10:58,200 --> 00:10:59,920 We were in… Oh, man, where? In Shanghai. 197 00:11:00,000 --> 00:11:01,280 Shanghai, sure. 198 00:11:01,400 --> 00:11:03,320 -In Korea, Taiwan, Taiwan… -Korea. 199 00:11:03,680 --> 00:11:05,320 Exactly. There were butterflies everywhere. 200 00:11:05,400 --> 00:11:06,280 Butterflies. 201 00:11:07,560 --> 00:11:10,680 But there's one thing I don't understand. We have to start completely from scratch. 202 00:11:10,920 --> 00:11:12,760 From above with the sun, with the thing. 203 00:11:12,840 --> 00:11:14,400 Then that with… And then the visions. 204 00:11:14,520 --> 00:11:15,360 Are we ready? 205 00:11:15,520 --> 00:11:17,560 Yes, we'll be there in five minutes. 206 00:11:17,720 --> 00:11:20,560 -We are still preparing. -You promised that I would 207 00:11:20,760 --> 00:11:23,160 Catch my flight, okay? 208 00:11:23,480 --> 00:11:26,640 They prefer to hear stories instead of working. 209 00:11:26,720 --> 00:11:28,560 No, they are still preparing. 210 00:11:29,120 --> 00:11:30,840 And have all the butterflies 211 00:11:30,960 --> 00:11:33,280 -fit into the glass things. -He's talking about butterflies! 212 00:11:34,200 --> 00:11:35,800 I particularly like those. 213 00:11:37,600 --> 00:11:40,920 For you, work is short Interruption between two anecdotes. 214 00:11:41,120 --> 00:11:43,240 No, they are the same finished with the preparations. 215 00:11:43,360 --> 00:11:45,920 Hey, Alfre! What was the name of the director with the butterflies? 216 00:11:46,600 --> 00:11:47,840 -I do not know. -Again. 217 00:11:47,920 --> 00:11:50,040 Come on. The famous one with the beard, the… 218 00:11:53,560 --> 00:11:56,200 Say, you don't feel like it, to work, right? 219 00:11:56,320 --> 00:11:58,120 In America you are at the first anecdote, 220 00:11:58,240 --> 00:12:01,920 the things you say at work, get out. Away. Red list. No subsidies. 221 00:12:02,040 --> 00:12:03,240 Just get out. 222 00:12:03,360 --> 00:12:06,120 Did you know that? There are no anecdotes in Germany? 223 00:12:06,400 --> 00:12:08,800 Germans don't tell them they just live it. 224 00:12:09,200 --> 00:12:10,960 Do you know why I'm telling you this? 225 00:12:11,600 --> 00:12:14,280 When I was here for the first time, you told the anecdote. 226 00:12:14,440 --> 00:12:15,680 The one about the butterflies. 227 00:12:16,320 --> 00:12:19,440 Then I hear you have her a second time told from the cloakroom. 228 00:12:19,680 --> 00:12:21,160 Then a third and fourth time. 229 00:12:21,240 --> 00:12:25,520 In addition to the first anecdote there is now an anecdote about you, 230 00:12:25,680 --> 00:12:28,720 as you tell the anecdote. You multiply them. 231 00:12:29,000 --> 00:12:30,840 Okay, let's take a little break. Thanks. 232 00:12:31,120 --> 00:12:34,880 The set designers stay and prepare everything before. Everyone else has a break. 233 00:12:35,080 --> 00:12:37,880 Do you know, how much anecdotes cost our country? 234 00:12:38,240 --> 00:12:41,840 Two percentage points of GDP. And that's just my country. 235 00:12:42,600 --> 00:12:45,680 I love this country where I live want to have my father cremated, 236 00:12:45,760 --> 00:12:46,760 when I find him. 237 00:12:47,320 --> 00:12:50,440 Don't get mad, master. We have a break. 238 00:12:51,120 --> 00:12:53,560 Arianna, I leave the set at 3:00 p.m. 239 00:12:53,800 --> 00:12:56,200 Yes, you just need the scene of Jesus' vision. 240 00:12:56,360 --> 00:12:59,360 From 3:01 p.m. I will too just be a vision. 241 00:13:07,600 --> 00:13:08,600 Run! 242 00:13:10,960 --> 00:13:12,560 Joshua, are you still there? 243 00:13:13,480 --> 00:13:14,480 I do not know! 244 00:13:18,960 --> 00:13:21,400 Damn Romans! They are no longer there! 245 00:13:25,280 --> 00:13:26,240 Which scene is this? 246 00:13:31,680 --> 00:13:33,000 My brother is dead! 247 00:13:34,920 --> 00:13:37,480 Joshua, can you do something for me? 248 00:13:38,680 --> 00:13:39,840 Not yet. 249 00:13:42,360 --> 00:13:45,520 Yes, you can! You can! 250 00:13:45,600 --> 00:13:48,200 He spits in his face, Clenches his fists and runs away. 251 00:13:48,360 --> 00:13:50,280 Judas, forgive me! 252 00:13:51,120 --> 00:13:52,800 Can I say something important? 253 00:13:53,600 --> 00:13:56,120 The thing with René is something. 254 00:13:56,720 --> 00:13:57,680 Do you see? 255 00:13:58,480 --> 00:14:02,600 Cut! Great! Wonderful! 256 00:14:07,040 --> 00:14:09,320 Once an actress a French woman, 257 00:14:09,680 --> 00:14:11,400 Lucianone Paciotti addressed. 258 00:14:11,680 --> 00:14:13,360 Yes, Lucianone! 259 00:14:13,760 --> 00:14:15,600 Do you know what he said to her? 260 00:14:16,880 --> 00:14:21,840 She was very chic and French. And Lucianone starts with... 261 00:14:21,920 --> 00:14:24,400 What did he say? 262 00:14:26,200 --> 00:14:27,440 What did Lucianone say? 263 00:14:27,880 --> 00:14:29,760 You can't withhold the end from us. 264 00:14:29,920 --> 00:14:34,400 Today everyone has to have anecdotes be terminated. What did he say to her? 265 00:14:34,600 --> 00:14:38,480 He was talking about, what was his name? By Bartali. 266 00:14:38,720 --> 00:14:40,880 Bartali. Don't go crazy now. 267 00:14:41,160 --> 00:14:47,040 Crazy. Just because someone has a gun, he is immediately considered crazy in Italy. 268 00:14:47,200 --> 00:14:50,000 Prejudices, ladies and gentlemen. 269 00:14:50,680 --> 00:14:55,320 I have nothing against this man, but I have to stop him. 270 00:14:56,040 --> 00:14:58,760 You understand that, right? You understand me, yes? 271 00:14:58,960 --> 00:15:01,160 -Clear! -Don't let me take you now 272 00:15:01,320 --> 00:15:02,400 shoot. Come on. 273 00:15:02,920 --> 00:15:05,520 I understand. I understand you. 274 00:15:06,840 --> 00:15:10,960 Who is crying here? No, don't cry. 275 00:15:11,080 --> 00:15:13,640 Don't cry. That makes me nervous. 276 00:15:14,080 --> 00:15:18,600 Come on, come on. It's a weapon. Let's do it together. 277 00:15:18,840 --> 00:15:19,800 No no. 278 00:15:20,000 --> 00:15:23,080 Okay, she doesn't want to. I only ask you one thing: 279 00:15:23,760 --> 00:15:27,080 I want you in 20 minutes you're done. That's all. 280 00:15:27,440 --> 00:15:29,480 -Go, go, go. -The camera! 281 00:15:29,680 --> 00:15:32,320 While this man prepared for his long break... 282 00:15:32,680 --> 00:15:34,760 -Where do you want to go? Wait. -To the camera. 283 00:15:34,960 --> 00:15:40,360 Go! Efficiency and speed. Come on. 284 00:15:40,480 --> 00:15:41,800 -Can I go? -What? 285 00:15:42,000 --> 00:15:44,840 -Can I go? -What? Of course not! 286 00:15:45,360 --> 00:15:46,440 Don't you say anything? 287 00:15:47,200 --> 00:15:50,880 I've never been on a set where everything went so smoothly. 288 00:15:51,040 --> 00:15:53,200 Just look what a wonderful team they are. 289 00:15:53,360 --> 00:15:54,640 -Nail, hammer? -Nail! 290 00:15:54,760 --> 00:15:56,760 -Should I do it from here? -I'll do it. 291 00:15:56,840 --> 00:15:57,960 -Really? -Yes. 292 00:15:58,160 --> 00:15:59,080 Duccio… 293 00:15:59,640 --> 00:16:03,720 But what does Lucianone have now? said to the French woman? Do you know it? 294 00:16:07,240 --> 00:16:08,600 Can I work now? 295 00:16:09,040 --> 00:16:12,120 Go ahead. Mario? 296 00:16:12,400 --> 00:16:13,840 -Yes? -No more butterflies, okay? 297 00:16:14,080 --> 00:16:15,000 Sure, understood. 298 00:16:15,120 --> 00:16:16,640 Do you see? We're ready to shoot. 299 00:16:16,760 --> 00:16:17,920 -I am here. -Yes, Arianna. 300 00:16:18,120 --> 00:16:19,400 Will you give me the gun now? 301 00:16:19,560 --> 00:16:20,680 -OK. -Thanks. 302 00:16:20,920 --> 00:16:24,560 You can take my gun, but not my ideas. 303 00:16:24,920 --> 00:16:28,320 And if we don't shoot in five minutes, I have three more in the car. 304 00:16:28,640 --> 00:16:29,640 No, no... 305 00:16:31,360 --> 00:16:32,480 Be careful. 306 00:16:35,720 --> 00:16:38,560 -Nice. What is that? A prop? -No, Stanis. 307 00:16:39,320 --> 00:16:42,000 Reminds me of the time when I was Deputy Commissioner Faloppa... 308 00:16:42,120 --> 00:16:43,080 No! Not! 309 00:16:46,720 --> 00:16:47,760 What the... 310 00:16:51,040 --> 00:16:52,080 Arianna. 311 00:16:52,160 --> 00:16:54,520 -What the hell are you doing? -I... I'm sorry. 312 00:16:57,880 --> 00:17:00,360 Where do you want to go? Wait. 313 00:17:03,560 --> 00:17:08,720 René, I couldn't find you. Are these people crazy? 314 00:17:08,960 --> 00:17:12,960 They've gone too far. I've never experienced anything like this before. 315 00:17:13,240 --> 00:17:14,840 I'll call you later, ciao. 316 00:17:46,960 --> 00:17:48,160 Say your text. 317 00:17:50,640 --> 00:17:54,280 I know you're not guilty. 318 00:17:56,560 --> 00:18:01,240 But I'm guilty. Guilty of loving you. 319 00:18:03,040 --> 00:18:04,240 Beautiful. 320 00:18:09,480 --> 00:18:10,600 Cut! Great. 321 00:18:11,680 --> 00:18:13,840 -Beautiful. -Yes, that's from me. 322 00:18:14,280 --> 00:18:19,480 But I'm guilty. Guilty of loving you. 323 00:18:20,960 --> 00:18:23,240 I don't know what that was, 324 00:18:23,880 --> 00:18:26,320 Maybe I never saw it a Maria as beautiful as you. 325 00:18:27,040 --> 00:18:30,200 You are a child, but also a genius. 326 00:18:30,320 --> 00:18:31,320 I can't deny it. 327 00:18:34,000 --> 00:18:35,040 Do you want to go down? 328 00:18:35,200 --> 00:18:37,560 No, please let me hang for a moment. 329 00:18:37,760 --> 00:18:39,520 I want to go down if that's possible. 330 00:18:39,640 --> 00:18:41,280 Me too. If it is possible. 331 00:18:41,360 --> 00:18:43,440 -No, not you. -No, I'll stay. 332 00:18:46,640 --> 00:18:48,360 Glauco, you were right. 333 00:18:48,720 --> 00:18:51,320 The scene with the children running around was a great idea. 334 00:18:51,840 --> 00:18:54,800 Good, great. But an opening scene is still missing. 335 00:18:54,920 --> 00:18:55,920 I know, I know. 336 00:18:56,000 --> 00:18:58,320 -Think of an opening scene. -Glauco? 337 00:18:58,560 --> 00:19:01,600 Sorry, I have to go. I was invited to tea with the ambassador. 338 00:19:01,760 --> 00:19:02,600 At the ambassador? 339 00:19:02,720 --> 00:19:05,960 I'm at the Namibian embassy. When I'm in Rome, I live here. 340 00:19:06,200 --> 00:19:08,000 Glauco, come here. 341 00:19:08,200 --> 00:19:09,360 I'm coming! 342 00:19:09,440 --> 00:19:13,560 René, one thing: You know I'm not afraid of anything, 343 00:19:13,920 --> 00:19:17,760 but I'm a little afraid of this, for we steal from the wicked. 344 00:19:18,080 --> 00:19:23,200 So if it comes out, it was your idea. 345 00:19:24,120 --> 00:19:27,120 Do we agree on that? Your fault, yes? 346 00:19:28,000 --> 00:19:29,120 OK. 347 00:19:31,880 --> 00:19:34,640 Thank you, Mariano. Thank you also for your patience. 348 00:19:36,400 --> 00:19:38,320 -What is that? -Take. I'll leave it to you. 349 00:19:38,760 --> 00:19:41,840 I don't have time to drive home, and it is forbidden 350 00:19:41,960 --> 00:19:43,200 to take her on the plane. 351 00:19:43,320 --> 00:19:46,080 Did you know that with us? Are you not allowed to take weapons on the plane? 352 00:19:46,360 --> 00:19:47,880 -Well… -Absurd, right? 353 00:19:48,400 --> 00:19:51,480 They are allowed in Uzbekistan take with you on national flights. 354 00:19:51,600 --> 00:19:53,760 In some cases this is even mandatory. Not in Italy. 355 00:19:53,880 --> 00:19:59,160 Do you know where in the world? we are on gun rights? 356 00:19:59,400 --> 00:20:03,960 In 52nd place. To Ghana. Ridiculous, right? 357 00:20:04,120 --> 00:20:06,640 Keep them. Is a gift. Treat her well. 358 00:20:06,720 --> 00:20:07,600 Yes. 359 00:20:07,760 --> 00:20:11,320 -Weigh her. She likes that. -Okay, okay. 360 00:20:11,600 --> 00:20:15,880 Weapons are not dangerous. The only dangerous thing is the recoil. 361 00:20:16,160 --> 00:20:19,760 This is a special weapon, because she is the only model 362 00:20:20,000 --> 00:20:22,000 which is not so hypocritically certain. 363 00:20:22,440 --> 00:20:25,080 "Oh, God! The security! Oh, my God, safety!" 364 00:20:26,680 --> 00:20:30,680 Okay, I'll leave it to you. I'll do it like in Taxi Driver, yes? 365 00:20:31,560 --> 00:20:33,720 Should I do it like in Taxi Driver? 366 00:20:34,120 --> 00:20:35,520 -Don't be so posh. -Yes. 367 00:20:35,680 --> 00:20:37,600 What's going on? Just please me. I like to do it. 368 00:20:37,760 --> 00:20:39,400 Can you do it for me? 369 00:20:40,680 --> 00:20:44,840 Hey, amigo! Are you talking to me? Amigo, hey, are you talking... 370 00:20:49,120 --> 00:20:51,400 Shortened it a bit. The scene is long. 371 00:20:51,600 --> 00:20:53,120 Come on, otherwise you'll miss your flight. 372 00:20:53,440 --> 00:20:54,920 Have a good trip. 373 00:20:57,280 --> 00:20:58,680 Take care of yourself. 374 00:20:59,600 --> 00:21:00,840 Find my father, Arianna. 375 00:21:02,120 --> 00:21:04,520 -Sure. -Father, boom, boom, son, knock, knock. 376 00:21:13,560 --> 00:21:15,920 And today we're going for a drink, okay? 377 00:21:16,160 --> 00:21:18,480 Yes, I'll be ready at 6:00 p.m., so after that. 378 00:21:18,800 --> 00:21:20,240 And get the scooter out of here. 379 00:21:20,480 --> 00:21:21,680 Are you going for a drink? 380 00:21:22,240 --> 00:21:23,160 -Nice. -Yes. 381 00:21:24,240 --> 00:21:25,640 The motorcycle must remain outside. 382 00:21:25,920 --> 00:21:28,680 You have to stay outside too, because you're not playing today. 383 00:21:28,760 --> 00:21:31,160 And you have to go too, because we don't need you anymore. 384 00:21:31,320 --> 00:21:32,440 And not tomorrow either. 385 00:21:32,520 --> 00:21:36,000 Thank you for everything you do for us have done. Give me the radio. 386 00:21:38,960 --> 00:21:42,120 You're good, but you're also cocky, which makes you do a lot of crap. 387 00:21:42,200 --> 00:21:43,640 And today was too much. 388 00:21:45,840 --> 00:21:47,880 -Will you drive me home? -Yes. 389 00:22:11,160 --> 00:22:12,320 I am here. 390 00:22:13,040 --> 00:22:15,520 Stanis has a title suggested for the series. 391 00:22:15,800 --> 00:22:18,880 -And that would be? -"The eyes of Jesus' sacred heart." 392 00:22:20,560 --> 00:22:22,160 Not bad at all. 393 00:22:23,040 --> 00:22:24,160 Are you telling me what's going on? 394 00:22:26,880 --> 00:22:27,960 Close the door. 395 00:22:30,160 --> 00:22:31,720 Turn off the lights. 396 00:22:42,240 --> 00:22:43,240 Here's to you, Duccio. 397 00:22:45,880 --> 00:22:49,600 Today is a good day to reflect. 398 00:22:52,400 --> 00:22:53,600 I see the algorithm. 399 00:23:04,680 --> 00:23:05,840 Give me a sip. 400 00:23:07,720 --> 00:23:10,000 Are you really doing that? Are you completely crazy? 401 00:23:10,320 --> 00:23:11,880 Have you told anyone? Lopez? 402 00:23:12,000 --> 00:23:14,040 For heaven's sake. Are you crazy? No, he doesn't know anything. 403 00:23:14,120 --> 00:23:17,040 He doesn't have to. I have a favor to ask you. 404 00:23:17,240 --> 00:23:19,440 -It is important. -What do you need? 405 00:23:19,560 --> 00:23:21,600 -Nico, your son. -No. 406 00:23:21,760 --> 00:23:22,680 -Please. -No. 407 00:23:22,840 --> 00:23:26,720 It's very simple. He stands by the river and throws stones into it. 408 00:23:26,920 --> 00:23:29,560 Shot from behind if you want. Please! This is very important. 409 00:23:29,720 --> 00:23:31,040 I need an opening scene. 410 00:23:33,560 --> 00:23:35,080 And you have to rotate them. 411 00:23:36,040 --> 00:23:38,600 Oh yes? Why me? 412 00:23:38,760 --> 00:23:42,440 Because I, damn it, Pontius Pilate has to play. 413 00:23:42,600 --> 00:23:46,240 Lopez talked me into it. Such a crap. I want to kill myself. 414 00:23:46,560 --> 00:23:47,480 OK. 415 00:23:49,760 --> 00:23:53,080 This is where the judicial overkill began against me, 416 00:23:53,440 --> 00:23:56,320 although I see the blind, the cripples, healed the lepers 417 00:23:56,880 --> 00:24:00,320 and started millions of men and to feed women, 418 00:24:00,400 --> 00:24:01,760 and that day after day. 419 00:24:03,000 --> 00:24:05,920 Hey, Jesus invented catering. 420 00:24:06,520 --> 00:24:08,480 -Can I get Nico back? -And his dream? 421 00:24:08,600 --> 00:24:09,480 Doesn't matter. 422 00:24:09,560 --> 00:24:12,000 Are you sure it's not mine? Have you checked this carefully? 423 00:24:12,440 --> 00:24:14,600 Yes, Stanis, I can confirm it is not yours. 424 00:24:14,680 --> 00:24:16,640 -Yes. -There's a five-year gap... 425 00:24:16,840 --> 00:24:20,480 I hate math. I want a DNA test. 426 00:24:20,680 --> 00:24:23,640 So I took the freedom to pick up some of his hair. 427 00:24:23,800 --> 00:24:24,880 What did you do? 428 00:24:27,320 --> 00:24:31,080 Come on, darling, The two of us are doing something really fun now. 429 00:24:32,040 --> 00:24:36,680 Please hurry! We'll do it Overtime! Out of the picture! 430 00:24:43,600 --> 00:24:46,800 You come here, go to this site, sit down and throw stones 431 00:24:46,880 --> 00:24:48,000 into the river. OK? 432 00:24:48,760 --> 00:24:52,840 Mom, you already told me that. I'm not stupid and I'm not an actor. 433 00:24:54,080 --> 00:24:57,680 -No worries. I agree. -Come on, get to your position. 434 00:25:01,720 --> 00:25:03,040 And camera off. 435 00:25:03,240 --> 00:25:04,120 Flap. 436 00:25:04,480 --> 00:25:05,760 Action! 437 00:25:07,960 --> 00:25:09,840 Are you the son of God? 438 00:25:11,960 --> 00:25:13,080 That's what you say. 439 00:25:14,080 --> 00:25:16,360 Cut! Stanis, you can't say that. 440 00:25:16,640 --> 00:25:17,520 So? How? 441 00:25:17,760 --> 00:25:19,280 -That sounded flippant. -Snippy? 442 00:25:19,360 --> 00:25:20,200 Yes. 443 00:25:20,280 --> 00:25:22,440 I have my text never said flippantly. 444 00:25:22,680 --> 00:25:24,920 -Doesn't matter. Let's forget it. Go. -Let's forget that. 445 00:25:25,080 --> 00:25:27,720 -Incredible. -We didn't cancel. Action. 446 00:25:29,960 --> 00:25:31,600 Are you the son of God? 447 00:25:32,600 --> 00:25:33,480 That's what you say. 448 00:25:34,120 --> 00:25:36,080 Stanis, you did it again! 449 00:25:36,280 --> 00:25:38,840 He does this on purpose. And cut! 450 00:25:39,440 --> 00:25:41,760 And then, René, the kangaroo ran into the picture. 451 00:25:41,920 --> 00:25:43,280 What should I do? Ignore it? 452 00:25:44,320 --> 00:25:46,040 -Which kangaroo? -The kangaroo. 453 00:25:49,880 --> 00:25:52,200 Yes, good. Always ignore the kangaroo, okay? 454 00:25:52,320 --> 00:25:53,640 -OK. -Go. 455 00:25:53,760 --> 00:25:55,080 642-1, flap, the second. 456 00:25:55,160 --> 00:25:56,960 That's what you say. That's what you say. 457 00:25:57,120 --> 00:25:58,200 Come on. 458 00:25:58,320 --> 00:25:59,760 The kangaroo stares into the camera. 459 00:25:59,960 --> 00:26:01,120 642-1, flap, the eighth. 460 00:26:01,800 --> 00:26:03,120 Are you the son of God? 461 00:26:03,480 --> 00:26:04,640 That's what you say. 462 00:26:09,440 --> 00:26:10,800 Look into the distance. 463 00:26:11,720 --> 00:26:13,800 Think for a moment. Throw it! 464 00:26:14,160 --> 00:26:15,880 One more, go. Be angry. Good. 465 00:26:25,880 --> 00:26:27,880 -Ready? -Again. We're still shooting. 466 00:26:27,960 --> 00:26:29,640 I can't stand this part anymore. 467 00:26:29,720 --> 00:26:32,240 Come on. René is right. Camera is rolling! 468 00:26:32,520 --> 00:26:35,600 -642-1, flap, the 15th -Shut up! 469 00:26:36,040 --> 00:26:37,840 And action. 470 00:26:40,120 --> 00:26:41,880 Are you the son of God? 471 00:26:42,960 --> 00:26:43,920 That's what you say. 472 00:26:44,600 --> 00:26:47,440 No! You said it flippantly again. 473 00:26:47,520 --> 00:26:48,880 -How dare you? -Come. 474 00:26:49,000 --> 00:26:52,440 It's true. He sounded snippy. The 11th recording didn't sound so bad. 475 00:26:52,840 --> 00:26:55,720 Was that a good recording then? Please! We're super late. 476 00:26:55,800 --> 00:26:58,360 Yes, it was good. Do whatever you want. 477 00:26:58,440 --> 00:27:01,840 Even in the 11th recording he sounded snippy. 478 00:27:02,240 --> 00:27:03,160 And? 479 00:27:03,320 --> 00:27:06,160 The video call will begin in two minutes. Allison opens a bar. 480 00:27:06,320 --> 00:27:07,680 -A bar? -She was fired. 481 00:27:07,800 --> 00:27:08,760 Why? 482 00:27:09,000 --> 00:27:12,000 A Spanish series came out, that too was produced by the platform 483 00:27:12,080 --> 00:27:15,000 and is very similar to ours. Great. 484 00:27:15,080 --> 00:27:18,280 -What does this mean? Very similar? -About the life of Jesus. 485 00:27:18,400 --> 00:27:20,240 Why didn't you mention the series? 486 00:27:20,520 --> 00:27:24,480 Because I don't put pressure on you wanted and because I wasn't sure 487 00:27:24,560 --> 00:27:26,720 whether they even turn them or not. 488 00:27:29,760 --> 00:27:30,840 What happened? 489 00:27:32,760 --> 00:27:34,880 There is a great Spanish series about Jesus. 490 00:27:35,080 --> 00:27:35,920 What? 491 00:27:36,200 --> 00:27:39,880 Allison is gone. The good news: She's opening a bar. 492 00:27:40,320 --> 00:27:41,440 Why is she gone? 493 00:27:41,680 --> 00:27:44,000 Because the Spanish executive of the platform 494 00:27:44,080 --> 00:27:47,400 everything on his, let's say, close relatives 495 00:27:47,480 --> 00:27:49,080 of our Life of Jesus. 496 00:27:49,240 --> 00:27:53,320 Allison, on the other hand, bet on us, So on the wrong horse. 497 00:27:53,520 --> 00:27:54,960 Are we the wrong horse? 498 00:27:55,280 --> 00:27:56,280 Sorry, gentlemen. 499 00:27:56,440 --> 00:27:58,200 Do I really understand you correctly? 500 00:27:59,200 --> 00:28:00,840 I'm devastated. 501 00:28:02,080 --> 00:28:06,600 Just one thing: Stanis, the producer, must not find out about it. 502 00:28:09,280 --> 00:28:11,080 And who are we talking to now? 503 00:28:11,280 --> 00:28:14,600 With Robert Machvfr, the new platform manager. 504 00:28:14,760 --> 00:28:16,240 I'm talking to him for the first time. 505 00:28:16,320 --> 00:28:17,560 I don't know anything about him. 506 00:28:17,640 --> 00:28:18,680 Okay, I'll talk to him. 507 00:28:18,760 --> 00:28:21,480 I'm talking to Robert Machvfr from man to man. 508 00:28:21,760 --> 00:28:22,800 Ready? 509 00:28:27,680 --> 00:28:28,640 Hi, guys! 510 00:28:29,600 --> 00:28:30,640 Shit. 511 00:28:32,040 --> 00:28:34,800 Hi Robert. I'm Alessandro. 512 00:28:35,080 --> 00:28:38,560 These are Stanis and Corinna, 513 00:28:39,040 --> 00:28:40,520 the actors and producers. 514 00:28:41,360 --> 00:28:44,880 René, our director, Arianna, first assistant. 515 00:28:45,040 --> 00:28:48,320 And Lopez, the executive producer. 516 00:28:49,320 --> 00:28:52,040 Do you want to say something, Lopez? 517 00:28:52,560 --> 00:28:53,800 Say something. Say something. 518 00:28:53,960 --> 00:28:57,520 Yes… Because… 519 00:28:58,400 --> 00:28:59,360 ...our... 520 00:29:02,760 --> 00:29:04,280 A wave? 521 00:29:06,760 --> 00:29:07,720 A wave? 522 00:29:09,000 --> 00:29:10,960 22 YEARS OLD 523 00:29:11,240 --> 00:29:13,440 275 YEARS OLD 524 00:29:14,840 --> 00:29:20,400 Eyes of the Heart Eyes of the Heart 525 00:29:20,720 --> 00:29:23,200 Boris! 526 00:29:23,440 --> 00:29:29,320 I'm singing a new story With emancipated characters 527 00:29:29,640 --> 00:29:35,400 Like it The new algorithm dictates 528 00:29:35,920 --> 00:29:38,400 Parallel actions 529 00:29:38,520 --> 00:29:41,800 And complicated scenes 530 00:29:43,160 --> 00:29:48,600 We don't shoot them We tell them 531 00:29:49,080 --> 00:29:54,560 An exciting TV series That never lets you go 532 00:29:55,080 --> 00:30:01,880 Amidst supermen and teenagers You're glued to the screen 533 00:30:03,200 --> 00:30:08,840 Oh, Boris, oh, Boris Boris, Boris, Boris 534 00:30:11,880 --> 00:30:13,800 Get out of there! Go away! 535 00:30:15,360 --> 00:30:16,240 Go away! 536 00:30:18,560 --> 00:30:20,560 Subtitles by: Claudia Hager-Smolka